Oh dear God, where do I begin? I suppose the start of my personal journey through Turkish cinema is as good a place as any.
Not the worst movie ever made. I'm one of those people who is drawn to "it's so bad it's good" (or ISBIG if you like acronyms) movies. The quintessential ISBIG movie is "Plan 9 From Outer Space". It's routinely called the worst movie ever made and it's fun to watch because the script and the acting and the special effects are so terrible you can't help but laugh, thus it's so bad it's actually entertaining and therefore "good". My friend Lucas stumbled upon Turkish Star Wars one day, and we decided it would be good for a laugh. Little did we know the dark path we were about to embark on. Turkish movies do not go from bad to good. They go from bad to good to awful to WTF? to astonishingly terrible to hilarious to SERIOUSLY SHUT IT OFF MY MIND CAN'T TAKE IT ANYMORE. Apparently in the 70s Turkey made a thriving industry out of ripping off popular Hollywood movies, but the results of their efforts were so bizarre you can't fully appreciate their weirdness until you see them. I once watched two Turkish movies back to back and my psyche didn't recover for two full days. The funny part is, you think I'm kidding.
The first thing you notice about Turkish Star Trek is that they stole the opening shot directly from the TV show, but not before they subjected it to a bright orange filter. The second thing you notice is how the Star Trek music abruptly ends and is replaced by a surf instrumental interpretation of the Halloween theme. The bridge of the Enterprise looks normal except that Kirk and Spock look extremely gay, and the women's skirts are almost long enough to cover their crotch. Every Star Trek fan will recognize the plot as stolen from an episode called "The Man Trap". Basically there's this alien who changes identities and kills people by sucking all the salt out of their body. Why did they choose this episode out of all the Star Trek episodes to rip off? It's a mystery. Another mystery is why they thought adding muscular cyborgs in silver loin cloths would make it better.
Okay, time out. So far what I have described is merely a seriously bad movie. It has yet to go Turkish. It is about to.
All of a sudden, with no warning whatsoever, the camera cuts to a jubilant wedding party set in what looks a lot like 1970s Turkey. They are there to witness the joyous union of a hideous troll and an unhappy hobo who is being held at gunpoint. Everybody is smiling and clapping and waving guns around when the hobo just disappears from existence and re-appears in Turkish Star Trek tunnel world where the well oiled muscle cyborg promptly picks him up and carries him off.
The rest of the movie is a mess. (The rest of the movie? lol) It seems to disproportionately feature the idiotic and apparently comedic antics of the hobo to the point that he becomes the main character. People pop in and out of existence at random and the alien switches identities all over the place so you never know who's who or where they are. Add to that the Turk's utter contempt for continuity and the fact that they apparently edit their movies with a dull chainsaw and you have a completely unintelligible bucket of nonsensical visual vomit. You might watch a 5 minute scene of the hobo engaging in the stupidest mis-haps over and over again until you're seriously bored and annoyed, and then it will suddenly cut to a hallway where two people are having a conversation and one of them will evaporate and then somebody else will pop into existence right in front of them and then turn into somebody else and start eating them while crew members walk right past them without seeming to care or even notice. It's impossible to make sense of, but your poor brain can't help but try until it gives up at last and leaks out of your ears with a whimper.
There are just a few more things about Turks In Space worth talking about.
- The phasor effect was achieved by scratching a hole in the film. It's one of those moments when you're looking at the screen and your jaw just drops because you can't believe someone would seriously put it in a movie and expect people to watch it. You will have at least one of these moments with every Turkish movie you see. At least one.
Hi, this is Ed Wood calling. I just wanted to say your special effects are reprehensible.
- Why is the main character of a Star Trek movie some random hobo? I was curious enough about it to research it online. It turns out he's a well known Turkish comedian and the whole movie was just a backdrop for his shenanigans. But then why would you pick Star Trek as a backdrop for this sort of thing? And more importantly, who the hell would find this funny? This led to what I call the first rule of Turkish cinema: Knowing the answer to a question does not solve the mystery.
- In real Star Trek, the doors all open with a mechanical sort of VVVVT sound. In this movie they use the VVVVT sound in some scenes, but in others they use an effect that is clearly somebody going SWISHT! with their mouth. Lucas and I theorized that they did the sound to different scenses at different times and lost the sound effect halfway through the process and just didn't bother going back and making everything match. The instant we developed this hypothesis a door opened with a VVVVT and closed with a SWISHT!, which leads to the second rule of Turkish cinema: As soon as you think you have someting figured out, Turkish Cinema will read your mind and prove you wrong out of sheer spite.
Turkish E.T.
Of all the Turkish rip-offs I've seen, Turkish E.T. is probably the most faithful to the original. This of course is not saying much. The movie opens to a scene of a kid playing a boardgame which promptly explodes in fire.
Turkish board games: not for kids!

Typical Turkish father


















